Because I Don’t Know How to Explain Longing to Her, I Teach My Daughter to Name the Peaches
by Emily Louise Smith
Ruby Prince, I say, cradling the fruit
in my palm, Gala, Winblo. Hear how each
varietal ripens in its own sweet time, unfurls
a new week of summer—June to August,
cling to freestone, yellow deepening to gold.
When I say Bounty, can you feel
the flesh slide away from the pit?
These peaches began, like you, in February,
with a congregation of farmers praying
into the same soft pews as me for enough
chill hours, for the orchards not to break
their dormancy. Does anything so much
as a Loring prove the sweetness
of hunger born in winter? My body
longed for you like that. I don’t know
yet if you’ll sink into a Cresthaven
and taste, as I do, the corn grown nearby.
If you’ll remember your grandfather
and how deftly—even after a decade blind—
his hands worked the smallest paring knife
along a Contender’s skin, him holding you
when I first brought you home. It’s hard
to say if you’ll become fluent in our lost code
of naming, grief, and dust. If the word
Monroe will launch in your chest a throb
of honeybees singing. If fruit clinging
to its seed will remind you too of a ragged sun.
If a bite of Flame Prince decades from now
will hasten you back to the time I put up jars
of South Carolina peaches to indulge you
in summer all year—the people who still ask
after their favorite varietals by name, the unrushed
pace of Nana’s house, her arms encircling
my childless body and beckoning you
to take root. All I know for sure is later
that fall as we lay on a blanket outside,
your sticky fingers curled toward my cheek,
and I smelled not the Red Maple above us
nor the sea we live beside now but the orchards
of my childhood. And I understood exactly how long
a shadow can grow inside a body, how one becomes
the other’s memory and shade.
Emily Louise Smith is the publisher of Lookout Books and the magazine Ecotone. She teaches publishing and creative writing at the University of North Carolina-Wilmington and is at work on a memoir.
Illustration by Justine Swindell.